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As a story of obsessive fixation, it borders on McEwan's disturbing earlier work "Enduring Love". "Line of Duty", "W1A") but seen far less at the movies.
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Helping the judge on this side of the door is her PA Nigel, played by the brilliant Jason Watkins: a TV regular (e.g.
a non-descript office corridor and a non-descript door. So it's unusual to see the view from the other side of the door.
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If you've been in a court, you'll know that there is something regal and magical about a judge in full regalia entering a packed courtroom. Whitehead does a good job with a difficult role. As such, the film just about gets away with it. That is, until you consider the oddness of his family background and Jehovah's Witness upbringing. In his opening hospital scenes, (not withstanding the comic similarities between the guitar scene here and a certain scene in "Airplane"!), Adam seems completely other-wordly compared to a typical teen and this comes across as utterly false. "I'm frightened of myself" she eventually wails to a colleague.
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Many films have focused on illicit attractions between teacher and pupil, but here lies a new variation, with Maye fighting against her best professional insticts to 'do the right thing'. Fiona's feelings for the troubled teenager feel more maternal than sexual, but when those feelings become returned and escalate the whole piece develops a queasily oedipal quality. This is an incredibly intelligent film, working on so many different levels and subject to so much interpretation. Stanley Tucci makes a perfect acting foil for Thompson: if he were a wine he would be described as "exasperation, frustration, compassion with strong notes of respect". Sometimes a masterly lead performance can make a co-star performance seem unbalanced, but no such danger here. (However, before I run out and put a £10 bet on her to win, the film is such a small British film that unfortunately both a nomination and a win seem unlikely! THIS IS A CRIME! Please share and lobby people, lobby! Perhaps at the very least we can hope for some BAFTA recognition). I bandy around the phrase "national treasure" a lot in my reviews, but here Emma Thompson is simply breathtakingly powerful in the lead role of Judge Fiona Maye, exhibiting such extremes of emotion that you would like to think that an Oscar nomination would be assured. Two acting giants - one born in London one born in New York - tower over this Ian McEwan adaptation like leviathons. Fiona's decisions in the months ahead go much further than a simple judgement on the case. With Fiona's intense but comfortable world about to cave in around her, her increasing stress is not helped by the latest case she is working on: one where Adam ( Fionn Whitehead from "Dunkirk"), a Jehovah's Witness boy and a minor, is refusing on religious grounds the blood transfusion he desperately needs to fight his lukaemia. This is driving the long-term couple to the point of infidelity: a fact the ever-focused Fiona - whose life, to her, probably feels to be in a perfect if selfish equilibrium - is oblivious to.
Judge Maye (Thompson) is a childless wife to her loving husband Jack (Tucci), but is also a workaholic.
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